Baroque valentine window display

Baroque Valentine

geometric window display

Windoo display by Claire Ellery for Taylors shoes Richmond NZ

My latest work for Carol priest chemical free natural & organic skin care.
Created using found materials. The organic gastropod like shell shapes were created using found chicken wire, and recycled paper.

Photography by Daniel Rose

Taylors shoes a traditional festive window

A traditional Christmas windoo for Taylors shoes of Nelson NZ.

Tropical Pineapple display

The latest windoo display for Trouble & Fox.

pushing the envelope

Pushing the envelope is my latest textile work created from security envelopes stitched together. To view the work head to the Bridge Street Collective, Nelson, New Zealand.
claireellery.com
bridgestreet.org.nz

http://www.stuff.co.nz/nelson-mail/features/arts/7857052/Envelopes-send-a-message

MANUEL AMEZTOY

pop-up paradises - expansive cut textile installations by manuel ameztoy
I cant believe all this work is done by hand the amazing works by Manuel Ameztoy are simply stunning. The way he cuts into the stencil is enthralling and baleful.

http://www.coolhunting.com/culture/manuel-ameztoy.php

http://www.faenaartscenter.org/exhibition/82/manuel-ameztoy

Geological map of Great Britain

random but hey I find it fascinating

Latest windows for "Taylors We Love Shoes"

The idea; an advent calendar in the form of a shoe display, every day a new shoe is revealed.

Before

during

and installed

and on to christmas

It has arrived

my website 

Phyllida Barlow

Professor of Fine Art at the Slade School of Art in London, Phyllida Barlow has taught art since the late 1960s. Her former students include Rachel Whiteread, Bill Woodrow, Steven Pippin, Melanie Counsell, Keith Wilson, Douglas Gordon, Tacita Dean, Conrad Shawcross, Tomoko Takahashi and Angela De la Cruz.
Barlow’s recent work emerges from a 40-year practice in which she has explored many of the inquiries of post-Minimalism: the effect of gravity on materials, the relation of the sculpture to the viewing space, the impact of added colour on our perception of a structure, the push-and-pull between total abstraction and a work’s ability to evoke the body... 

Barlow makes her work from a range of materials, such as felt sheets, wooden pallets, polystyrene, red masking tape and foam boards. 
https://www.frieze.com/issue/article/learning_experience/

My kind of Artist 

http://www.hauserwirth.com/artists/50/phyllida-barlow/biography/