I’m intrigued by materials linked to the consumer purchase, the residue of disposable components, which are used to transport and protect the objects of our desire.
We live in a society of mass production whose members have an unabated devotion to consumerism, accompanied by brief contentment, security, and a sense of identity, before something newer, and better comes our way.
Within my work I explore the possibility of using the discarded object as it may have dreamt of being.
Using the tactical processes of bricolage and braconnage, I also consider the role of art, the everyday and the institution of the museum, employing humour, parody, and the absurd.